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leon and alexMy good friends Leon and Alexandria Harrel have started a new program at their Springtown, Texas Leon Harrel Training Center ranch which I think is fantastic. It’s called “Show Cutters for Kids”.

Some excerpts their website describing it:

“The week before Christmas 2012, Jane Tomczak and three of the eldest girls in her Challenge Ranch program flew to Ft. Worth, Texas to be our guests for four days. We were about to introduce them to cutting horses for the very first time in their lives. Aside from the video I sent them, they had never seen such a spectacle of flying dirt and hooves before.

“From the moment Jane and the girls saw the Christmas lights coming up the drive at midnight, they suspected the next few days would be unlike any they’d ever known. The girl’s riding background was entirely english and under Jane’s keen and loving eye, their horsemanship was exceptional. The 14 and 15 year olds had never set foot in Texas and had only a week prior spent an afternoon being introduced to a western saddle and some basic neck reining by John Van Aken, their beloved ranch farrier.

girls-011“On the first day it’s all about getting the hang of western gear on new horses, combined with brand new horsemanship skills and preliminary flagwork. First thing’s first, stirrups and reins. It looks so easy in the video. A bit of struggling with that, feels so horribly unnatural. There are frequent collisions between horns and bellies every time they shift in the enormous saddle looking for a comfortable spot. In spite of excellent horsemanship skills, the foundational differences in both the girls’ and the horses’ training programs are obvious – at first.

“It’s not as easy as it looks! Cutting is very humbling that way. A well tuned horse can make anyone look good for a few calves, but after that, the work starts. The more horses you ride the steeper your learning curve. It’s a fact. It’s a painful process for some, but for those who embrace it, the doors of insight, feel and timing swing wide open. In this game, glimpses of paradise are offered fleetingly. Just enough to entice one to desire more. Then it’s up to the rider to choose between a frustrating path of hit or miss performance and a firm commitment to excel at something that requires the discipline of a serious artist in order to be anything other than mediocre.

girls-005“Kelly, Bree and Sarah worked diligently to overcome their obstacles in a new environment and did a fabulous job. For children with limited financial resources, they proved beyond the shadow of a doubt that money can’t buy “try”. Their attitude and efforts put their performance ahead of regular cutters overnight and the results were undeniable. So many folks just want to write a check and show up without investing the hard work and focus necessary to succeed. They blame their trainers and their horses, when in reality they believe the hard work they’ve already put in – which enables them to write a check – is all they owe to their dream.

“We rarely get to see the brightest and most talented in our sports arenas because the money factor prohibits so much talent from ever competing at the top levels. We are a nation resplendent with extraordinary children who lack financial privileges and advantages and who are almost entirely dependent on the kindness and generosity of strangers in order to pursue their dreams of greatness.

“Our part in this story is simple. Showcutters For Kids (SFK) is a privately run independent incentive program. SKF is an exciting equine team working adventure that offers 3 fun and highly focused days of personal training for three children at a time.

“It’s being offered as an incentive to strive for higher academic goals and to encourage positive modification of dysfunctional social behaviors in children from underprivileged homes, group homes and foster homes.

“Our goal is to keep children on track in times of adversity and encourage them to succeed in overcoming their obstacles.”

If you have problems seeing the video below click HERE.

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“Sen. Tom Udall (New Mexico Democrat) is preparing to take a needed run at cleaning up the horse racing industry by creating a national standard for the use of performance-enhancing drugs in races with interstate simulcast wagering.

“The Horseracing Integrity and Safety Act would set up a basic framework and then turn over drafting the rules and enforcing them to the United States Anti Doping Agency, an independent organization that polices U.S. Olympic athletes and promotes clean sports competition. The racing industry would bear the costs of policing and enforcement.

“Horse doping is a chronic problem in the industry. Drugs such as Dermorphin, or “frog juice,” can mask an injured horse’s pain. But using it risks a catastrophic breakdown that can injure or kill the horse and its rider.

“For years, the industry has promised reform and, until recently, those promises have largely been empty.

“That is, until a New York Times investigation published last spring — which made New Mexico the national poster child for abuse. Its five racinos collectively had the worst record in the nation for doping.

“On the heels of the report, the New Mexico Racing Commission adopted stricter regulations and penalties for doping. This year, the Legislature approved funding for expanded drug testing of racehorses.

“Udall’s bill would provide uniformity and give an independent organization some rein to impose penalties.

“The Association of Racing Commissioners International has expressed concerns about the doping agency’s regulation of human competition, which it says allows a therapeutic-use loophole. But a Udall spokeswoman said the agency would develop rules in consultation with state racing commissions and stakeholders.

“The industry should embrace the opportunity to provide meaningful input in an effort to fix problems that have plagued what once was called the sport of kings.”

This editorial first appeared in the Albuquerque Journal. It was written by members of the editorial board and is unsigned as it represents the opinion of the newspaper rather than the writers.

And here’s another story with more details from The Horse

“A U.S. Senator and four members of the House of Representatives have introduced the Horseracing Integrity and Safety Act of 2013 to regulate/prohibit substances, methods, and treatments that can be used in racing.

“The legislation, introduced by Senator Tom Udall (D-N.M.) and Representatives Joe Pitts (R-Pa.), Ed Whitfield (R-Ky.), Jan Schakowsky (D-Ill.), and Anna Eshoo (D-Calif.), is not the same as the bill they introduced in the last Congress, according to the American Horse Council (AHC).

“The bill calls for a new “independent anti-doping organization” to be responsible for “ensuring the integrity of horse races that are the subject of interstate off-track wagers and the safety of persons involved in such horse races,” according to the AHC. “The bill gives this anti-doping organization authority to permit/prohibit the drugs and medications that may be administered to a horse in a race subject to an interstate off-track wager and set the withdrawal period for its administration.”

“The legislation prohibits a horse from receiving any medication or drug within 24 hours of a race. There is a two-year exception for furosemide (commonly known as Salix or Lasix) used for 3 year olds under the current Association of Racing Commissioners International rules and administered by a veterinarian with a client-patient relationship.

“The legislation specifically designates the U.S. Anti-Doping Agency (USADA)—a private, non-governmental agency that is the official anti-doping agency for the U.S. Olympics —to be the organization responsible for overseeing the initiative.

“According to the AHC, the bill charges USADA as the overseeing agency to develop and enforce rules for permitted and prohibited activities, including:

- Permitted substances, methods, and treatments that can be administered in the context of a veterinarian-client-patient relationship;
- Guidelines for the use of such permitted substances, methods, and treatments, including withdrawal times before a race; and
- Prohibited substances, methods, and treatments that cannot be administered.

“Under the legislation, the USADA would also be charged with organizing programs for anti-doping education, research, testing, and adjudication to prevent a horse from racing under the influence of medications or drugs. In developing the rules and programs, the USADA can consult with state racing commissions, race tracks, horsemen’s groups, and others.

“USADA would have the authority to exclude any person from racing for the first violation of the rules against the use of any prohibited medication or drug and for the third violation of the rules against the use of permitted medications/drugs. Also, USADA has discretion to suspend any exclusion if a person assists in identifying other violations of the rules or federal or state laws under the legislation.

“The AHC said the bill does not amend the Interstate Horseracing Act (IHA); rather it prohibits interstate wagering under the IHA without the “consent” of USADA. To offer interstate off-track wagers, the race track putting on the race, and the off-track system accepting the wager, must have the consent of USADA, in addition to the other consents presently required by the IHA. As part of granting this consent, the race track must have an agreement with USADA that includes the terms and conditions regarding compliance with the new rules and specifies payments to USADA to fund the costs of regulation and enforcement. USADA is charged with ensuring that all costs incurred in carrying out its duties and responsibilities under the new law are paid by the industry.

“By tying the new requirements, even indirectly, to interstate wagering, it applies the new prohibitions and requirements to any race that is simulcast interstate under the IHA, the AHC reported.

“The House bill (HR 2012) was referred to the House Committee on Energy and Commerce, on which Representatives Pitts, Whitfield, Schakowsky, and Eshoo sit. The Senate bill (S 973) was referred to the Committee on Commerce, Science, and Transportation.”

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I’ve seen a lot of tornado pictures over the years but the ones from Oklahoma are heart wrenching. TOTAL devastation for miles in every direction.

If you’d like to donate, here is one option: Text REDCROSS to 90999 to give $10 to American Red Cross Disaster Relief.

From horsetalk.co.nz

Up to 100 horses are feared dead after a massive tornado ripped through the Oklahoma City area.

Authorities say two people are known to have died in twisters that ravaged the area, and six are reported to have died in Texas as storms generated a series of deadly twisters.

Oklahoma and other Midwest areas remain on high alert, with fears the storm system could generate further twisters.

KFOR.com, Oklahoma’s Channel 4, in a live feed earlier today, reported on the devastation at the 106-acre Orr Family Farm in Moore.

The farm and an adjoining horse training and agistment facility took a massive hit from the tornado.

Footage revealed complete destruction, with the remains of stalls unrecognisable. Surviving horses could be seen in the footage.

The station reported that 75 to 100 horses had died in the area and completely destroyed the farm, run by Dr Glenn Orr and his family.

It is understood the farm’s stalls and barns took a direct hit from the tornado, which was estimated to be on the ground for 40 minutes as it took out everything in its path. It was estimated to be 3.2 kilometres wide.

Residents had about 16 minutes to seek safety.

The Orr family farm, responding to messages of support on its Facebook page, said: “Thank you for all your thoughts and prayers. We are sorry we cannot reply to each of you at this time, as we are focusing on our staff, families and the farm.

“We are physically alright, but we have sustained a large amount of damage at the farm, and adjacent properties.

“We are still assessing damage to both properties and animals.”

Orr Family Farm spokesman Tony Vann told Horsetalk that communications were difficult, but he managed to obtain a brief update by text-messaging Dr Orr’s son, Tom.

He said the family and staff were all right, but he did not have information on the animals.

He said he had heard the report of 75 to 100 horse deaths, but could not confirm that.

He said the block of land where Orr Family Farm stood also housed another business, Celestial Acres, which was a horse training and agistment facility.

It is understood the Orr family also own that business.

Vann said Orr Family Farm did not have 75-100 horses on its property. That raised the likelihood that at least some of the reported horse deaths may have occurred on the agistment property.

Vann said the neighborhoods devastated by the tornado seen on media footage were in some cases only a few hundred metres from the Orr property.

He said there were five staff and family in the farm’s administration office, plus seasonal workers, on site when the tornado approached. All were able to reach safety before it struck.

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By Christa Lesté-Lasserre
First appeared on The Horse.


New study results suggest that horses really do appear to be capable of matching voices to faces when it comes to the humans they know.

Are horses really capable of recognizing their owners and their voices? Study results from a team of British behavior researchers suggest that horses really do appear to be capable of matching voices to faces when it comes to the humans they know.

“We already know that horses can discriminate between different human faces and between familiar and unfamiliar people, but this is the first time we have shown that they can associate the right voices with the right people,” said Leanne Proops, PhD, of the Mammal Vocal Communication and Cognition Research group at the University of Sussex, in the United Kingdom.

In her two-part study, Proops evaluated 72 horses that each heard one of two recorded voices saying the horse’s name over a loud speaker. The two people who had recorded the voices would stand in front of the horse, a few feet apart from each other. In the first part of the study, one person was someone the horse knew while the other was a stranger. In the second part, both people were familiar to the horse. Proops and colleague Karen McComb, PhD, watched to see which way the horse looked when he heard his name spoken over the loud speaker, and how long he looked in that direction.

The team found that when the voice on the speaker belonged to someone the horse knew, the animal would almost always look quickly toward that human, Proops said. And usually, the horse continued to look at that person for a relatively long time. By contrast, if the voice belonged to the unfamiliar person, the horse took a longer time to look at that person and did not look at him or her for very long.

When the horse had to choose between two familiar people in the second part of the study, the horse generally responded quickly by looking at the correct person for a relatively long time, Proops said.

Interestingly, mares performed the recognition task better than geldings, she added.

However, laterality (“sidedness”) was an issue for both genders, Proops said. Horses responded much more accurately when the correct person was standing on the right side of the horse, so the horse could see that person with his right eye. The horse’s right brain hemisphere controls the left side of the body while the left hemisphere controls the right side of the body; apparently the horse’s left hemisphere manages “cross-modal” (the seeing/hearing matching task) processing better than the right hemisphere, Proops said

Also in Proops’ study, if the horses heard their owners’ voices over the loud speaker and the owner was not present, the horses tended to look either way, with no real preference to direction, she said. Based on her previous research, while the cross-modal function appeared to work in the left hemisphere, the visual and auditory cues seemed to spur a right-hemisphere brain reaction, Proops said.

Proops’ research is ongoing.

The study, “Cross-modal individual recognition in domestic horses (Equus caballus) extends to familiar humans,” appeared in the Proceedings of the Royal Society B: Biological Sciences.

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I don’t know who posts as “wisperingrainfarms” in Ohio but it’s great.

“This is a video of my daughter, Montana Rain, and her friend Ashton doing what they love best. Riding Horses! Montana and Ashton ride together every chance they get. We really enjoy watching them ride and hearing them laugh and giggle the whole time.

“The horse that Montana is riding throughout the video is her horse, Blackbeard. The video starts the day we got Blackbeard when Montana was 3yrs old and it progresses to the present (4 1/2 yrs old). You can watch Montana and Blackbeard grow together in this video.

Trouper the Mustang makes a couple appearances in this video also, as does Montana’s daddy and his horse, Jack. Also, the video ends with a picture of Montana with Templeton Thompson. Templeton Thompson is the lovely lady singing the song, “Girls & Horses,” that I used for this video.”

If you have problems seeing the video below click HERE.

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Craig Cameron walks you through the steps of riding your young horse for the first time.

If you have problems seeing the video below click HERE.

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The most powerful tractor of the world made by Big Bud in Havre, Montana. The engine is a Detroit Diesel 2 stroke with 16 cylinders (24,14l) and most of 900 hp. It weighs 52 tons, its length is 8.69 m, height 4.27 m and its width is 6.35 m. It now runs on biodiesel.

If you have problems seeing the video below click HERE.

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I’ve always wanted a Henry “Big Boy” Rifle. Henry Repeating Arms is a family-owned business that has been in the gun business since 1911.

You can get more information at their website by clicking HERE.

“In every field of human endeavor there is a select group of individuals who are given credit for making such major contributions that they become synonymous with their achievements. In the area of firearms development, one name that must be included on that honored roster is Benjamin Tyler Henry. His invention: The Henry Rifle.

history-ben-henry“It was Mr. Henry who conceived the first practical, lever action repeating rifle. Patented in 1860, the Henry gave a single man the firepower of a dozen marksmen armed with muzzle-loading muskets.

“America was engulfed in the searing flames of the Civil War, and the first Henry rifles were in the hands of Union soldiers by mid 1862. Due to its revolutionary design and rapid rate of fire, the Henry quickly found popularity both with the military and civilian purchasers. Early sales were especially brisk in Kentucky, Illinois, Missouri and Indiana.

“With its reliable .44 caliber rimfire metallic cartridge, the Henry produced a rapid and highly accurate fire. Reports of the successful use of Henry rifles in the Civil War were numerous. The incredible firepower unleashed by the Henry is evident in Major William Ludlow’s account of the Battle of Allatoona Pass. “What saved us that day was the fact that we had a number of Henry rifles” wrote Major Ludlow. “This company of 16 shooters sprang to the parapet and poured out such a multiplied, rapid and deadly fire, that no men could stand in front of it and no serious effort was made thereafter to take the fort by assault.”

“After an encounter with the 7th Illinois Volunteer Infantry, which had the good fortune to be armed with Henrys, one Confederate officer is credited with the phrase, “It’s a rifle that you could load on Sunday and shoot all week long.”

“The Henry rifle would go on to play a significant, if not dominant role in the frontier days of the American West. It would soon become one of the most legendary, respected and sought after rifles in the history of firearms. A contemporary rifle collection isn’t complete without one.”

If you have problems seeing the video below click HERE.

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Katy Moffatt and Andrew Hardin perform “Lefty’s Last Ride” live in the Magnolia Avenue studios of KDHX in St Louis, MO. September 11, 2010.

If you have problems seeing the video below click HERE.

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AQHA World Champion and Snaffle Bit Futurity Champion, Sandy Collier, is a longtime friend of Platinum Performance and a celebrated horse trainer. Hear this champion cowgirl talk about her horses and the journey her career has taken.

If you have problems seeing the video below click HERE.

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By Ryan Cox, Ph.D., Extension Meats Specialist, University of Minnesota

First published on the Minnesota Farm Guide



May is Beef Month and the spring weather will encourage Americans to spend quality family time grilling and appreciating the satisfying flavor that beef provides.

It is also very important to remember the numerous benefits that beef provides to human nutrition.

As a nutrient dense red meat, beef contains a number of nutrients that are critical to the development and maintenance of key functions in the human body. In fact, several of these nutrients are not found in any other type of food in the abundance and correct proportion that human physiology demands.

Nutritionists argue that the most common nutritional deficiency on the planet is iron deficiency.

It is estimated that 2/3 to 3/4 of the human population is deficient in iron to some extent.

Beef is a very good source of iron, with perhaps the highest concentration of iron than any other commonly consumed meat.

Additionally, the iron in beef is more biologically available than iron from other sources. Since this iron is already in the heme form needed by mammals, upwards of one quarter of the iron in beef is absorbed by the human body, as opposed to 1-2 percent from non-heme iron sources, such as green vegetables.

Another common human nutritional deficiency is zinc, with an estimated one fourth of the population deficient. Foods that are rich in zinc are also typically rich in iron. Thus, beef is a very good source of zinc, with approximately 25 percent absorbed by the human body.

Moreover, beef provides a notable amount of selenium to the diet, a nutrient critical to the human antioxidant defense system.

Vitamin B12 is essential to development and can only be found in animal derived foods such as beef. Additionally, vitamin B6 is necessary for the absorption of amino acids, the building blocks of proteins. Beef is a good source of both of these B vitamins.

Regarding amino acids, red meats such as beef are a dense source of these protein precursors, and are in the same proportion needed by humans. Access to high quality protein sources such as beef allows for the proper development of the major structure and functional systems in the human body.

Fat consumption has a negative stigma, but a closer evaluation indicates that properly proportioned fat consumption plays a very important role in the maintenance of human physiology and development. There has been a great deal of recent interest in the beneficial effects of the very long chain polyunsaturated acids, in particular eicosapentaenoic acid (EPA), docosahexaenoic acid (DHA), and conjugated linoleic acid (CLA).. Anti-atherogenic, anti-thrombotic and anti-inflammatory effects have been noted with consumption of these specific nutrients.

Additionally, there is some evidence that increased maternal polyunsaturated fatty acid intake during pregnancy may produce beneficial effects.

Impact on human health is among the primary concerns of the consumer when considering consumption of beef and other red meat products. Lean beef not only provides a positive eating experience, it is a very nutrient dense food with many benefits to human health. With high concentrations of nutrients such as biologically available iron and vitamins needed for proper metabolism, beef also contains a noted amount of healthy fats that are important to human functions.

During Beef Month, remember these numerous benefits and enjoy the numerous eating opportunities that beef provides.

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Tyler Magnus describes the most effective roping position for a successful, powerful swing.

If you have problems seeing the video below click HERE.

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Thanks to my friend Blair Hunewill for finding this.

Sorting cows and calves at the Goodale Farm, University of Saskatchewan. Adapted from Dylan Biggs’ handling tips.

If you have problems seeing the video below click HERE.

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My friend Christina Savitsky is hosting a Centered Riding Clinic with Lucile Bump at the Northern New Mexico Horsemen’s Association’s arena in Santa Fe (by the Rodeo grounds) 9am to 4pm May 18th & 19th, 2013. $300 to participate with your horse. $30/day or $45 to audit for the weekend. Christina also opened auditing to anyone 16 & under (pony club/4H etc.) to audit for free as well, so if you know any horse crazy girls bring them along!

“Centered Riding is an innovative way of expressing the classical principles of riding, using body awareness, centering, and imagery. Centered Riding encompasses all seats and styles of riding. It teaches a language that allows clearer communication between horse, rider, and instructor. Centered Riding was developed by Sally Swift, author of the best-selling book and videotapes, and is now taught by Centered Riding Instructors around the world.

“The Four Basics of Centered Riding
 Soft Eyes – Encourage visual and physical awareness, better peripheral vision, and improved “feel.”
 Breathing – Using the diaphragm and breathing correctly for better posture, relaxation, and energy.
 Balance or Building Blocks – Aligns the riders body for improved balance, straightness, and ease of movement.
 Centering – Using the center of balance, movement and control, located deep in the body, gives quiet strength, harmony and power, as in the oriental martial arts.

“As a Level IV Senior Centered Riding® Instructor, Lucile has the ability to employ a more in-depth understanding of Centered Riding® techniques in her teaching regardless of the discipline, whether it is Western, Dressage, Jumping, Endurance, etc., because she understands the foundations of the work. Lucile began riding around age 10 and grew up riding the wooded trails of Vermont,. She rode all through school and competed regularly in Hunt Seat Equitation. Lucile met Sally Swift when she was 14, and continued to work closely with Sally after completing her apprenticeship. Lucile began her teaching career while attending college in Marlborough, Vermont. After graduation, Lucile went to work at a Morgan farm, training horses, teaching riding lessons and doing some competing in Western and Saddleseat. In 1971
Lucile travelled to California to work with Linda Tellington-Jones at her riding instructors school. She has been instructing all levels & disciplines & certifying Centered Riding® Instructors ever since!”

You can get more information at Christina@BuckarooBalance.com (505)280-8171

If you have problems seeing the video below click HERE.

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Documentary photos taken on real working ranches located in Blaine County, Montana during the spring of 2012.

Music (Go West, Young Man) is used with permission from Chris Ryan: http://www.youtube.com/user/KLGAviation

Check out Toddy Klassy’s website by clicking HERE

If you have problems seeing the video below click HERE.

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I don’t know who posts under the name “whisperingrainsfarm” but I liked this video. You can learn about the farm by clicking HERE.

From the Mom:
“This is a video of my daughter, Montana Rain, and her friend Ashton doing what they love best. Riding Horses! Montana and Ashton ride together every chance they get. We really enjoy watching them ride and hearing them laugh and giggle the whole time.

“The horse that Montana is riding throughout the video is her horse, Blackbeard. The video starts the day we got Blackbeard when Montana was 3yrs old and it progresses to the present (4 1/2 yrs old). You can watch Montana and Blackbeard grow together in this video.

“Trouper the Mustang makes a couple appearances in this video also, as does Montana’s daddy and his horse, Jack. Also, the video ends with a picture of Montana with Templeton Thompson. Templeton Thompson is the lovely lady singing the song, “Girls & Horses,” that I used for this video.”

If you have problems seeing the video below click HERE.

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Bryn Thiessen teaching the Edmonton Destination Hotel Group staff how to tie their wild rags for CFR week!

If you have problems seeing the video below click HERE.

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From his website:
oo_7“Tim Cox’s depiction of the contemporary west with its glorious skies, rugged cowboys, hard working ranchers, the cattle they raise, good horses, and wide open spaces has been giving viewers a thrill for many years. As an artist, Tim strives to create memorable original oil paintings and many are available as Limited or Open Edition Prints, Posters, Artist’s Proofs, Canvas Transfers, Giclées and Calendars. The western print gallery is a round up of some of Tim’s best known work, so please take a moment and scroll through the pages!!!”

You can get more information at his website by clicking HERE.

“EXPERIENCE THE WEST through Tim Cox’s eyes. Tim paints what he knows; vibrant cutting horses intent on holding that cow, cowponies covered in sweat after working a hard day, ranch horses sharing a well earned drink at a glistening water trough. His cattle have authentic expressions; calves perhaps a little bewildered at a branding, bemused heifers waiting to be fed, a longhorn steer intent on leaving the country, or a herd just shuffling along as they are being driven to better pastures are frequent subjects. Ranchers, cutters, team ropers, or cowhands, all of them touch his heart. Add a striking landscape with dramatic skies; clear blue, wispy pink clouds or spectacular thunderheads and you have a Tim Cox painting. His favorite times are being out on the ranches, absorbing every detail of what he and others are doing so that he can go back to the studio and document the modern cowboy, as he has done for 36 years.

October Mist (2)“Tim is especially proud of his 2003 Prix de West Award and his two “Express Ranches Great American Cowboy Awards” from the National Cowboy and Western Heritage Museum. In a 1975 high school English class essay he wrote that one of his fondest wishes was to be a member of the Cowboy Artists of America. His wish was granted in 2007 when he was invited to join the prestigious group. After serving on the Board of Directors and being a member for only a few years, he is currently serving as president for 2011-2012. The group returns to its roots at the National Cowboy and Western Heritage Museum for their 46th annual show in the fall of 2011.

“Endless nights of painting until dawn are finally paying off for Tim Cox. He is one of the best known western artists, having been voted into the U. S. Art Magazine¹s Print Hall of Fame in 2000. Dozens of his Limited Edition Prints have sold out through the years, some as quickly as 3 weeks. Sales of his popular calendar line, which started in 1986, are nearing 10 million. One of the best compliments paid to his calendars is that you often see his tear off style calendars complete, late in the year. People will lift off the pages to find the date rather than tear them off.

“Tim’s paintings have appeared on over 300 magazine covers through the years, and he has been featured in articles of at least 16 different publications, including Southwest Art, Western Horseman, Art of the West, and American Cowboy and Beef. Recently, Tim Cox was voted winner of the Readers Choice award for Best Living Western Painter in True West magazine’s 2011 Best of the West poll. He also was honored to have been asked to create the cover of the 75th Anniversary edition of Western Horseman. Tim has been painting professionally since 1975 and has received numerous awards including the 2003 “Prix de West Purchase Award” and “Express Ranches Great American Cowboy Award” in 2004 and 2007 from the National Cowboy and Western Heritage Museum. In 2001, he received the “Will Rogers Western Artist Award” for Artist of the Year from the Academy of Western Artists and the “Olaf Wieghorst Best of Show Award” from the Mountain Oyster Club three times. Tim was voted into U.S. Art Magazine’s “Print Hall of Fame” in 2000 and in 2008, Decor Magazine listed him as one of the fourteen “Most Enduring and Successful Poster Artists.”

Branding the Remnants“Tim’s work hangs in the permanent collections of the National Cowboy and Western Heritage Museum, The Booth Western Art Museum in Cartersville, Georgia and in the Old West Museum in Cheyenne, Wyoming.

“While most of his time is consumed by painting, Tim regularly rides and works on various ranches throughout the West. He combines the basic ingredients of color, value, perspective and pleasing design with his desire to be a perfectionist in portraying the real working cowboy. This perfectionism earned Tim the “Ayudando Siempre Alli Award” from the New Mexico Cattle Growers’ Association for his contributions to agriculture. Alisa Ogden, President of the Association said: “Along with lifting our spirits, Tim Cox’s special images keep the magic of the cowboy alive for literally tens of thousands of city folks across the nation and around the world.”

“Tim is a fourth generation Arizonan born in 1957 and raised in the farming and ranching community of Duncan, Arizona near the New Mexico state line. He now resides outside of Bloomfield, New Mexico, where he continues to raise a few cattle and train horses with his daughter Calla and wife Suzie.”

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Those of you who have been to or live near Santa Fe, New Mexico know about the famous Bobcat Bite restaurant. I did a blog entry back in 2010 about it which you can see by clicking HERE.

2They are frequently listed at the best burger in the US, featured in books about burgers, and have been on several TV episodes. May 13th (7pm Mountain time but check with your TV provider to be sure) on the TravelHD channel (277 for you DirecTV folks) they will be featured on the TV program “Burger Land”. Kathy and I were actually there with friends when they were filming it and we might appear in the background.

From the Bobcat Bite website:

“Located on Old Las Vegas Highway which at one time was part of historic Route 66, the Bobcat Bite has been a family owned and operated restaurant since 1953.

“Originally a trading post, then a gun shop, it was made a restaurant by Rene Clayton (owner of the Bobcat Ranch), it was first operated by her daughter Mitzi Panzer in 1953. Since then it has been operated as a mom and pop diner by a series of proprietors including Don and Millie Cowell, Don and Shelba Surls, and Bob and Judy Amos to the present when John and Bonnie Eckre took over in May of 2001.

3“Many people ask how our name was derived. Years ago before I-25 was built, bobcats came down from the hills and were given treats at the back door at what was one of the few local dining spots that were friendly to bobcats at that time.

“The current proprietors are committed to sustaining a tradition of family dining, rustic ambiance and ample portions which customers have come to expect, using the best ingredients available. We use the same recipes that have been used for decades. Our beef is ground fresh daily from choice whole boneless chuck, and we cut our steaks from USDA Choice.

4-horse_out_front“The Bobcat is a historic building and due to our limited seating, we can’t always serve as many customers as we would like so we appreciate your patience and hope you have an enjoyable experience.”

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From the New York Times

Jordan Judd did something on Wednesday that art students do not usually do: He walked away with one of the models.

Mr. Judd, 22, is a senior at Pratt Institute, the art and design school in Clinton Hill, Brooklyn. The model, who is 17, was one of two that students had been sketching on the lawn behind the library.

Mr. Judd said the conversation began innocently enough. He whispered hello. “Lucille” — he found out her name in no time at all — “was kind enough to say ‘hello’ back and say, ‘Let’s go for a stroll,’” he explained.

So he took hold of Lucille’s halter and led her off.

Lucille is a horse.

She and Mr. Judd did not go far — just a few steps, though he joked about riding off to Downtown Brooklyn. She and her stable mate, Gracie, spent the day on the Pratt campus so students could draw them from life, which some students said was a different experience from drawing from a photograph. “You can learn from pictures,” said Mae Armenante, 18, a freshman from Oradell, N.J., “but having the real thing is so much cooler.”

Like the return of the swallows to Mission San Juan Capistrano in California, the arrival of the horses is a much-anticipated moment, at least at Pratt. Unlike the swallows, though, the horses do not arrive under their own power. Lucille, a brown quarter-horse, and Gracie, an Andalusian Welsh cross, endured a four-hour trailer ride from Tyler Hill, Pa. Their trainer, Ben Goldberg, had a sour look and a single word to describe the traffic: “Unpleasant.”

cityroom-horse-3-blog480The drawing of horses outdoors has been a spring tradition at Pratt for several years.Suzanne DeChillo/The New York Times The drawing of horses outdoors has been a spring tradition at Pratt for several years.

The horses got their first glimpse of the Pratt campus about the time some students were probably just rolling out of bed. They ate a midmorning meal from chewy bales of grass that Mr. Goldberg had stowed in the trailer. They were watered and groomed, and they were photographed by students like Ms. Armenante, who was taking a break from a class on light, color and design.

Then the portraiture got under way, as students with sketch pads settled onto the lawn opposite the landmark main building, a Romanesque Revival fortress that was heavily damaged in a fire in January. The students sat cross-legged in the sun, their backs to the 1887 building, squinting, staring and squinting again.

“When you look at a horse, you think, ‘Oh, a brown horse,’” said Caroline La Douce, 18, a freshman from Elmira, N.Y., as she sketched Lucille. “You don’t realize there are all these different colors, the way the light hits her coat.”

Mr. Goldberg said horses present a particular challenge. “Picasso mentioned — no, not Picasso, I’m not an artist — but some famous artist said horses are hard to draw,” he said.

So are other kinds of animals not often seen on the Pratt campus, according to some of the students. “My teacher said Disney, for ‘Bambi,’ they spent three months in a room with a deer, just straight drawing,” said Maggie Iapoce, 18, a freshman from Woodstock, N.Y.
Gracie the white pony.Suzanne DeChillo/The New York Times Gracie the white pony.

But back to horses. Sarah van Ouwerkerk, the professor who arranged for Lucille and Gracie to visit the campus, published “Horse Beautiful” in 2006, a collection of her photographs of horses. She said she had inaugurated the once-a-year horse modeling in the mid-1990s and even brought her own horses one year.

“They said, ‘I want to go home,’” she said. “They weren’t too happy.”

Thomas F. Schutte, the president of Pratt, remembered the time an elephant from the Ringling Brothers and Barnum & Bailey Circus was brought in. He said that seeing animals up close teaches art students a number of important lessons.

“One is the anatomy,” he said. “Anatomy is extremely important and extremely complex. A second is using different drawing techniques. Their sketches will be reviewed by the faculty, and critiqued.”

Ms. Van Ouwerkerk said that less massive models had proved less successful. “We tried a miniature goat,” she said, “but the goat wouldn’t sit still for anyone to draw, and ran away. A panic-stricken country goat thrown into the art world of Brooklyn. Wouldn’t you be scared?”

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A short video giving you and idea of some of the dry work Peter Campbell does before he works students with cows in the Cow Working Class. Peter is seen in this video riding a 3 year old quarter horse gelding for the clinic host.

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“On this three-day working vacation, the five guests were dubbed “the dudes.” They came from all over the U.S. and Europe to see what it’s like to be a cowboy or cowgirl for several days. The dudes rode alongside the Cox and Heaton families, driving 200 cattle from lower elevations to the summer grazing grounds just outside Bryce Canyon National Park. The annual drive continues a longtime family tradition, and gives urban guests a better understanding of life on a working cattle ranch.”

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Hendrix_Jimi_058.jpg


Jimi Hendrick was living in a rented a place in Woodstock before the famous festival because it was a mecca for artistic types but yet quiet so you could hang out in privates spaces. He’d reached a point in his career where he wanted to do something new, take his band in a new direction. He spent his days jamming with friends trying things out, talking walks, smoking a little medicinal Mary Jane and apparently checking out the neighborhood horses! And then he got invited to close Woodstock. The rest is history.

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